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Fig. 5 (book Fig. 9). The Mystic Ark, diagram. The cosmic structure and the three stages of the Ark. Clement/Bahmer/Rivas/Rudolph.
Fig. 6 (book Fig. 10). The Mystic Ark, diagram. Main components. Clement/Bahmer/Rivas/Rudolph.
Fig. 7 (book Fig. 39). The Mystic Ark, diagram. Quaternary harmony. Clement/Bozhilov/Rudolph.
Fig. 8 (book Fig. 14). The Mystic Ark, diagram. The line of generation. Clement/Bahmer/Rivas/Rudolph.
Fig. 9 (book Fig. 7). The Mystic Ark, diagram. Selected components ofthe Ark proper and the earth. Clement/Rivas/Rudolph.
Fig. 10 (book Fig. 29). The Mystic Ark, diagram. The Flood, the serpent, and the sixty men and sixty women. Bozhilov/Rudolph.
Fig. 12 (book Fig. 22). The Mystic Ark, diagram. The peoples of the Jews and the Gentiles, the central cubit/city of the great king, and the community of the faithful under one head, Christ. Clement/Bahmer/Rivas/Rudolph.
Fig. 13 (book Fig. 56). The Mystic Ark, diagram. Layout of the three stages and cruciform belts or bands. Clement/Bahmer/Rivas/Rudolph.
Fig. 14 (book Fig. 78). The Mystic Ark, diagram. Layout of the three stages and cruciform belts or bands, with the four ascents. Clement/Bahmer/Rivas/Rudolph.
Fig. 15 (book Fig. 4). The Mystic Ark, diagram. The three stages. Clement/Bahmer/Rivas/Rudolph
Fig. 16 (book Fig. 30). The Mystic Ark, diagram. The four ascents, with ascent/descent patterns. Clement/Bahmer/Rivas/Rudolph.
Fig. 17 (book Fig. 31). The Mystic Ark, diagram. Main ascent and ladder inscriptions. Bozhilov/Rudolph.
Fig. 18 (book Fig. 35). The Mystic Ark, diagram. Layout of the system of color segments of the four ascents. The one figure in parentheses represents my conjecture of an apparent omission in the text of The Mystic Ark. Clement/Bahmer/Rivas/Rudolph.
Fig. 19 (book Fig. 34). The Mystic Ark, diagram. The inscriptions of the additional three triads of the ascent of the heat of the east. Clement/Bahmer/Rivas/Rudolph.
Fig. 20 (book Color Fig. 8). The Mystic Ark, diagrammatic detail. The Ark proper, showing only those colors mentioned in the text, with the central cubit set out as an enlargement for clarity. (The Moral Ark notes that the sixty men and sixty women were dressed in garments of red, white, and violet. I have not depicted this because I do not believe that these colors were meant exclusively.) Clement/Bahmer/Rivas/Rudolph.
Fig. 21 (book Fig. 2). The Mystic Ark, diagram. Relative proportions of different potential Mystic Ark compositions. Clement/Bahmer/Rivas/Bozhilova/Rudolph.
Fig. 22 (book Fig. 38). The Mystic Ark, printed and exhibited at full-scale at the National Gallery in Washington during the winter of 2008-2009. The Adam macro/microcosm is easily reached with a traditional wooden pointer. Practically speaking, the Adam macro/microcosm is the highest component that a person conducting the Ark lectures would have to distinguish in this manner for the audience. Photo: National Gallery.